Constantine Season 1 Episode 4: “A Feast of Friends” Review

Constantine Season 1 Episode 4: “A Feast of Friends” Review. “John Constantine is the dog’s nuts

US Airdate – Friday 14th November on NBC catch up on NBC on Demand
UK Airdate – Saturday 15th November on Amazon Prime Instant Video

Directed by: John F. Showalter, Episode Written by: Cameron Welsh, Series created by David S. Goyer and Daniel Cerone.

Following our introduction to trainee medium Zed Martin (Angélica Celaya) in episode 2 – The Darkness Beneath and the demon weapon collector and Voodoo priest Papa Midnite (Michael James Shaw) in last weeks episode – Devils Vinyl, episode 4 of Constantine introduces us to another big character from the Hellblazer series John’s mate Gary Lester (Northern Irish actor Jonjo O’Neill) as he arrives in Atlanta after a drug and alcohol induced binge which took him from Newcastle to the Sudan. He’s brought with him to Atlanta a hunger that no one would want to experience. As another side of John Constantine (Matt Ryan) is revealed can he solve the mystery in Atlanta and help out this old friend from his Newcastle Crew?

Read our interviews with Matt Ryan, David S. Goyer and Angélica Celaya about Constantine or listen to them here.

Full Spoilers for the episode 4 – A Feast of Friends follow.

Gary “Gaz” Lester arrives in the Atlanta airport, just off a flight from Sudan, sweating and looking nervous and it’s no wonder the security guard take him in for further questioning. During his interview at the airport we discover that Lester is carrying an artifact with him from Khartoum containing the hunger demon Mnemoth. An entity that gets it’s strength from humanity’s compulsive desire to consume. The artifact is smashed leading to the release of Mnemoth who possesses the body of the security official.

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From the exciting opening of the episode throughout the first half of “A Feast of Friends” the character of Gary Lester is laid bare. A former hanger-on of Constantine, Gary had more money than sense. Always trying some form of “Party drug” the events of Newcastle pushed him over the edge into full blown heroin addiction. While we get a few more details about the incident with the young girl Astra in Newcastle – “A city in the North of England with bad weather and a worse football team” – the whole picture is still being kept back by Constantine as only snippets of the incident get drip fed to Zed and the audience. Wracked with guilt Gaz went on a massive drink and drug binge after the incident and didn’t contact John again. Only coming to him now when he needs help.

There’s a great interplay between the central three characters in the episode. As Zed learns about Gary Lester’s addiction through her psychic touch to connect with Gary, which he uses against her later in the episode as a weapon and it shows the depths he will sink to. The insistence of Zed that Gary was “wracked with guilt, he’s going after the demon himself” which she knows as she’s connected directly with his mind only to be corrected by Constantine “He’s told you that did he? That’s not what’s happening,”…”I see the truth, Gary’s hopelessly addicted to heroin and let me give you a tip about addicts, between thought and action comes temptation, always” is a very well written scene. When John’s suspicions are confirmed and Gary has in fact run out to get some heroin rather than fighting the demon it’s heart-breaking and from this point onwards you know Gary is doomed. It’s nice to see the role of Zed expand in this episode into more of an emotional challenge to John. This scene between them with Zed experiencing Gary’s withdrawal symptoms and his lies to himself lead to this heartfelt discussion between her and John. We hope to see the impact of John’s actions play out in their relationship in future episodes.

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While “Feast of Friends” is based on Hellblazer issues #1 and #2 and is a very faithful adaptation, some of the finer details have obviously been excluded. It’s a pity that Papa Midnite couldn’t be worked in as the shaman that John turns to for help to solve the problem of Mnemoth’s strength. However, given their run-in the last episode it may of felt a little contrived for an audience to buy into Midnite helping John so soon. The scene with the shaman Nomo and John taking the greatest drug in the world was an excellent piece in both Constantine’s tripped out humour and the visual effects with John “tripping balls” in the pursuit of why Mnemoth is so powerful and his connection to The Rising Darkness.

One piece that has been simplified is the attraction of the demon Mnemoth to people who have addictions. While it’s called out that the demon is responsible for famines in African nations, in the source material Mnemoth drives a comic addict to eat his own precious comic books and Gary back to his drug addiction making him more sympathetic than simply a pathetic junkie unable to control his addiction.

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John’s sacrifice of his “mate” Gaz, though signposted a bit throughout the episode, feels genuinely shocking and is a fascinating early revelation on John Constantine’s attitude and ruthlessness in this demonic world. He’s not willing to do anything to save a friend but he is willing to do absolutely anything to save the world regardless of the impact on his soul. The end of the episode with John and the dubiously intentioned Angel Manny (Harold Perrineau) watching over the screaming, now possessed Gary Lester as Bear McCreary’s beautiful score plays is the best scene we’ve had in the show so far. It is both a deeply touching and tough ending and it is a quality scene in what it portrays that makes Constantine appointment TV.

Constantine, starring Matt Ryan, Angélica Celaya, Harold Perrineau and Charles Halford, airs on NBC in the USA and will return at 10PM next Friday the 21st November for episode 5 “Danse Vaudou” with an introduction to another well know DC Comics character. Constantine is also available in the UK through Amazon Prime Instant Video the day after broadcast on NBC in the US.

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Review copy of Constantine – Feast of Friends provided by NBC

“Year One E05 – Viper Review” – Gotham TV Podcast Episode 23

In this podcast we discuss, with full spoilers detail, Episode 5 of Gotham “Viper”. It’s all about the weapons this week from the drug Viper to Liza and Oswald Cobblepot everyone has a weapon in play for their plan for Gotham. Of course, we also include the Gotham news. You can send your feedback to us for the show to [email protected].

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As always thanks so much for listening and we’ll be back next week with our discussion of episode 6 of Gotham – “The Spirit of the Goat”.

Derek and John

Gotham TV Podcast

Date recorded: 11/11/2014
Date published: 11/11/2014
MP3, 1h 06m, 128kbps, 60.7 MB

“Year One E04 – Arkham Review” – Gotham TV Podcast Episode 22

Gotham “Arkham Review” – Year One E04

Show Notes

In this podcast we discuss, in full detail, episode 4 of Gotham “Arkham”. It’s all in the planning this week as we talk all about Oswald Cobblepot’s master-plan, the battle over the future plans for Arkham City and Fish Mooney’s Plan B. Of course, we also include all the Gotham and DC related news send your feedback to [email protected].

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Spotify playlist

We discussed the “KeaToya” playlist created by Lady Jae a really fun set of songs based on the early years of Barbara Keane and Renee Montoya’s relationship. Have a listen to it over on Spotify.

If you want to send us your thoughts or suggestions or any feedback on John’s Oswald Cobblepot theory you can send them to our email address [email protected]

As always thanks so much for listening and we’ll be back next week with our discussion of episode 5 of Gotham – “Viper” where a new deadly drug is infecting the streets of Gotham.

Derek and John

Gotham TV Podcast

Date recorded: 04/11/2014
Date published: 04/11/2014
MP3, 1h 19m, 128kbps, 73.23 MB

GTVP E21 – NYCC14 Gotham and Constantine Cast Interviews

GTVP E21 – “NYCC14 Gotham and Constantine Interviews”

Show Notes

We’ve been asked by a few of our listeners to share the audio of the Gotham and Constantine Cast interviews we did at New York Comic Con. So in this very special episode we present all nine interviews we did with the co-creator Danny Cannon and cast of Gotham Ben McKenzie, Donal Logue, Sean Pertwee, Erin Richards and Robin Lord-Taylor. We also share our interviews with the show-runner of NBC’s Constantine David S. Goyer and Matt Ryan who plays John Constantine along with Angélica Celaya newly introduced to Constantine as the character Zed.

While the audio for the interviews isn’t of our usual sound quality we hope you enjoy hearing their thoughts about Gotham and Constantine.

You can read the full transcripts of the interviews on our website (https://gothamtvpodcast.com/category/interviews/)

John & Derek
Gotham TV Podcast

Date recorded: 11/10/2014, 12/10/2014 and 30/10/2014
Date published: 01/11/2014
MP3, 1h 05 mins, 128kbps, 59.4 MB

NYCC Interviews Constantine – with Angélica Celaya – Gotham TV Podcast Exclusive

Exclusive:  Gotham TV Podcast were lucky enough to sit down at New York Comic Con 2014 to discuss Constantine with Matt Ryan (John Constantine), Angélica Celaya (Zed) and show creator and executive producer David S. Goyer. The roundtable interview included questions from other journalists present and our own questions to the cast and creator.

In our final Constantine interview we caught up with Angélica Celaya who plays Zed about what drew her to the role of Zed, her connection with John Constantine, staying in with the bad boys of Hellblazer to prepare for her role and her favourite moment so far. You can listen to our full set of interviews from New York Comic Con on the podcast below with or you can read on for the transcript of Ms. Celaya’s interview.

Question – So what really drew you the most to Zed?

Her sarcasm, I love her sarcasm. I love that she doesn’t take any crap from anybody especially John. I like that she is, you know, a little sneaky and she’s rough and she’s not afraid to get her hands dirty. I like that she’s an empowering woman. I love it.

Question – Hellblazer was a very long running series and Constantine is in the New 52, he’s got his own series. When you got the part of Zed how much did you go and read to catch up on who she [Zed] is?

Well they gave me volumes of Hellblazer and it was like here you go this is Zed; and I stayed in, instead of having a Saturday night out with my friends and stuff, I stayed in with the bad boys of Hellblazer and it knocked my socks off. That’s why I get the sarcasm  and understanding her it’s like…OH! I see you!

Question – What can you tell us about how Zed enters the picture in the TV series. Are you able to tell us anything about that?

Well the new trailer came out yesterday (October 9th), a little teaser, and we see her drawing and she is lost in her [own] head. Zed is lost and she just crashes in to the world of John Constantine. Its just like, whatever is going on in your head is reality and it is that realisation of you’re not crazy and that’s Zed in this first moment that we meet her.

GTVP Question – We caught the pilot screening on Thursday and its quite a creepy ending, you’re drawing away and there is all those iconic pictures of John Constantine . There seems to be a psychic connection between the two of you. How much of a connection is there and how does that play out over the series?

It evolves, it becomes even more, it gets crazy, it gets messed up, it gets to the point where she opens…oh my God… I wish I could tell you it’s more than what we see [from the pilot] that’s just the tip of the iceberg. It becomes a whole new level for Zed each episode gets bigger.

Question – So obviously you’ve just started, but how long have you been filming and, without spoiling too much, do you have a favourite moment of your time as Zed?

So we’ve been filming since July. So we’ve been going for a while and we’re so eager for October 24th to come. My favourite moment…favourite moment,  I mean it’s a moment between John and me on the couch, in the mill house, and it’s our first moment where we are real with each other. Where he’s not sarcastic and I’m not being, you know, a bitch [laugh]. I’m not rough, I have no walls around me and I am what I am; that’s my favourite moment because it’s the real Zed not this facade she puts out there so she can hide.

Question – Who do you think is your biggest ally at the moment?

John Constantine, he’s the teacher, he is  to me, you know, as Zed he’s my teacher. He’s the one that explains to me and leads me in to this world; and Zed is this very eager learner you know, yes, yes I want to learn more and more and get in there. So it’s John.

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Constantine Season 1 Episode 1: “Non Est Asylum” Review

Constantine Season 1 Episode 1: “Non Est Asylum” Review. “The Demons he fights aren’t just his own

At New York Comic Con 2014 we got to check out the screening of the pilot episode, “Non Est Asylum“, of NBC’s new series Constantine based on the much beloved Vertigo character John Constantine and the widely popular and successful Hellblazer comic series. In the spirit of Halloween and as the witching hour approaches here are our thoughts and review of “Non Est Asylum“. [Beware the full episode SPOILERS below]

Listen to our interviews with Matt Ryan, David S. Goyer and Angélica Celaya here

Where better to meet our protagonist the Master of the Dark Arts…sorry I mean petty dabbler…John Constantine (Matt Ryan) than at Ravenscar Asylum the psychiatric facility where he’s getting probed about his state of mind by Dr. Roger Huntoon (Miles Anderson). He’s been perscribed therapy of an electrical nature to help him forget, oh, and he wants to forget the events (and guilt) of his botched exorcism of a young girl named Astra (Bailey Tippen) in Newcastle. The demon (Nergal) conjured on that fateful night by Constantine damns Astra and himself to hell! Here at Ravenscar we get our first glimpse of the down-to-earth John Constantine who is portrayed with aplomb by Matt Ryan. He grabs this character by the trench coat and strikes a great balance between a wicked dry wit, being endearing and protective yet a jerk whilst all-the-time expressing himself with a tasty language peppered with generous amounts of swearing. He’s also not afraid of some self-harm (he wanted, no he asked for, the electric therapy). Even down to the tone of the character with the khaki trench coat, blond hair, the occasional trails of cigarette smoke (he is after all a chain smoker) and his Northern English accent Constantine feels and looks special. Believe it or not this is our hero or anti-hero who will fight against  demons and ghouls in a battle to save humanity from the world of evil…and he’s great! For me Matt Ryan is excellent as Constantine pulling off that ever so difficult balancing act of fan expectation and delivering his great performance of this much loved character.

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Whilst at the asylum another patient becomes possessed by an entity that we discover to be an old dead friend, Jasper Winters, that leaves a message for John in paint (don’t worry not blood) on the wall “Liv Die”. This event thrusts him back into the fray as Jasper’s daughter, Liv Aberdine (Lucy Griffiths), becomes the target of supernatural forces. Liv provides the audiences perspective on John Constantine in this episode as she grapples to understand who this seemingly strange man babbling weird references to the occult is and flees from John despite the demon tracking her. The persistent world weary John Constantine does not take no for an answer and he soon uses his trusted friend and companion, the very interesting Chas Chandler (Charles Halford), to protect Liv. We also get to see Constantine’s dubious angel “friend” Manny (Harold Perrineau) that nicely provides insight in to the possible season arc for the series as he warns John that all is not right in purgatory and danger is on its way. Manny also opens up Constantine’s past and the torment and guilt that drives him to do what he does.

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It is not until the death scene and possession sequence of her neighbour and friend that Liv begins to trust Constantine. At the same time her own supernatural powers begin to develop as she can also tap in to the spirit world exposed to Constantine after he gives her a pendant from her father and this sets up a nice little confrontation with her granny from hell! As the identity of the demon chasing Liv, known as Furcifer, is revealed the demon’s ability to draw power from and control electrical power and objects leads to the shocking death of Chas as he trys to save Liv from the demon. They seek refuge at Constantine’s mill house and here we are treated to an absolute treasure trove of objects from the DC occult universe. The one that brought the largest cheer from the Empire stage at NYCC 2014 was Doctor Fate’s helmet of Nabu which looked amazing. As John warns Liv “…it is incredibly powerful and not to be trifled with.” It certainly is and show runner David S. Goyer during our roundtable interview with him at NYCC hinted that someone will come to John’s door collect the Helmet of Nabu. This is fantastic news and leads us to ponder could it be Kent or Inza Nelson, maybe Hector Hall or will it be someone else? We shall soon find out! Other Easter eggs littered throughout the mill house (as well as through the rest of the episode and this review) included the Ibistick (the magic totem of the Eqyptian God Ibis), the Mask of Medusa and many others including a sly nod to the magical DC character Zatanna and, more specifically, the way she casts spells by saying backwards phrases.

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Clearly, there is a respect for the source material which is awesome for this series and for those excited to see John Constantine brought to life by the excellent actors, crew and creators behind the show. This respect for the graphic novels certainly extends beyond the Easter eggs in the episode (of which there many), but also in the establishment of the horror and occult themes that we are looking forward to and expect of Constantine. The tone and feel of the show is also great and the scares are well paced and genuinely scary. Given NBC also produces Hannibal and with horror director Neil Marshal behind camera for this episode, the show would appear to be in very good hands. This is also true of the special effects and CGI which look great in the episode, in particular, the rain drop scene between Constantine and Manny, and the flashbacks to Astra being taken to Hell.

As events build to the confrontation between Constantine and Furcifer, John forces his old mate, Ritchie Simpson (Jeremy Davies), a drug dependent, paranoid university professor to help catch Furcifer using Liv as bait. They are also aided and abetted by Chas who is very much alive and has returned because of his special, and as yet unknown, “survival skills”. Whilst John and Liv wait to catch Furcifer, in a demon seal, he exposes more of his personal turmoil and guilt as we discover that his mother died during his birth. His guilt leads him to admit his need to see her again. In the final showdown as Furcifer arrives, the demon attempts to barter Liv’s life for Astra but is thwarted by Jasper’s pendant that reveals a trap to Liv. An angry John signals Ritchie to shut down the city’s power grid that controls Furcifer’s life source, as his spell sends Furcifer violently back to hell. Constantine vows to come for Astra and Nergal, the demon responsible for her death.

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Liv decides to leave returning the pendant amongst other items back to John to continue his work. He admits scaring her off on purpose, believing that exorcising is not for everybody. However, this part of the episode does feel the weakest. It’s a bit like the rug has been pulled from under your feet and it is simply because of the need to amend this section of the episode to allow for the change in leading character (for genuine reasons) from Liv to Zed for future episodes. It feels slightly at odds that for all the character and background set up of Liv and the energy expended to protect her life in the episode – she leaves! That being said these things can happen when moving from pilot to regular series and these kind of tweaks are certainly a once-off given that more than 10 episodes are now complete. Indeed, the changed ending sets up Zed (Angélica Celaya) really nicely as the episode closes with a woman furiously scribbling and drawing some (iconic) images of John Constantine; and each bears the same signature, Zed Martin.

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Overall, whilst the ending suffers slightly down to the changes forced through re-casting, this doesn’t detract from an excellent series opener anchored by the excellent portrayal of John Constantine by Matt Ryan. He is both witty and acerbic, whilst also protective and endearing and I can’t wait to see more of Constantine on the small screen. Matt Ryan is joined by a solid and exceptional cast of actors that includes the faithful and not so faithful friends of John Constantine portrayed by Charles Halford and Jeremy Davies, respectfully, and Lucy Griffiths provides a good counter point to Constantine that brings the audience in to his world. The nascent story arc reminiscent of American Gothic from the graphic novels is dealt with lovingly and respectfully; in the same way that there is great fun to the Easter eggs teased throughout the episode. We can’t wait to see more of John Constantine battle demons, ghouls and evil.

Constantine, starring Matt Ryan, Angélica Celaya, Harol Perrineau and Charles Halford, airs on NBC in the USA and will return next Friday 7th November for episode three “The Devil’s Vinyl”. Constantine is also available in the UK through Amazon Prime Instant Video the day after broadcast in the USA. There is, unfortunately, still no confirmed broadcaster for Constantine in Ireland but we’ll keep you posted of any developments.

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NYCC Interviews Constantine – with David S. Goyer – Gotham TV Podcast Exclusive

Exclusive:  While at New York Comic Con this year Gotham TV Podcast were lucky enough to see the pilot of the other big DC show Constantine. The show premiered in the US on NBC on Friday the 24th of October and we sat down at a roundtable at New York Comic Con 2014 to discuss Constantine with Matt Ryan (John Constantine), Angélica Celaya (Zed) and show creator and executive producer David S. Goyer. The roundtable includes questions from other journalists present and our own questions to the cast and creator.

In our Constantine interview we caught up with show runner David S. Goyer who chatted with us about the refreshing change of pace writing Constantine, the fun of the punk influence on the character and the music for the show, his admiration for the Hellblazer comic series and he revealed that someone will turn up on John Constantine’s doorstep to pick up the Helmet of Nabu. You can listen to the full interview on our podcast below or read on for the full interview with Mr. Goyer

Question – You’ve done a lot of TV and you’ve done a lot of movies contrast the experience?

Someone once said that movies is more like oil painting and TV is like water colour. The turnover time in TV is a lot faster, movies you have a lot more time to perfect everything. With TV it’s sometimes that by the time you’re in to your third draft, its time to go. So on one hand that time constraint is harder but also sometimes its better not to over think things and go with your first instinct. But with television you also get to revisit characters and have characters grow and change over the course of the season and this has already happened in our first season. We’ve had a couple of actors come in and really blow us away and we’ve thought “Oh they’re really amazing” and so we’ve brought them back a couple of episodes later.

Question – So in looking at the original version of the pilot and then the pilot that we’ll see later. What do you think is the biggest change in terms of where the show is going now versus where the show might have been going when we saw  the trailer back in May?

Well when we first started adapting Constantine I think there was some concern with the audience that we needed a character that was from the audience point of view that was not apart of this world. So we created a character that was not part of the comic books, named Liv, that embodied that point of view. We made the pilot and Lucy who played her did a great job, but as we started breaking the subsequent stories we thought it would be much more interesting and challenging if someone were more of that world and having seen the pilot we were able to convince NBC that maybe we should go in that direction. So we selected a character called Zed, who’s also from the comic books, and she has a really interesting back story, she’s not a blank slate, she’s got a lot of mysteries. She was able to go toe-to-toe more with  John and it made for some more interesting dynamics. I think with John and Liv, you know, John was sort of the cut up and Liv was the straight man or straight woman and with Zed they flip flopped those roles and it’s just more interesting.

Question  – You’ve worked on a lot of different comic book adaptations. When you approached doing Constantine compared to some of the more superhero properties was there a difference in how you approach the characters themselves or did they feel the same way?

Sure, I mean John doesn’t have any superpowers, he’s not a billionaire, he’s not an alien from another planet, he’s just a regular bloke. He doesn’t have a costume, he doesn’t have a secret identity. If someone arrests him and throws him in jail he is in trouble and that does happen in the first season. He can’t just swoop in and have someone expunge his record. It’s kind of interesting, after having written Batman and Superman, to write someone who doesn’t have access to those powers or that infinite amount of wealth to help him out. He’s also not a hero hero, I mean he’s a jerk, and it’s really refreshing to write a character that’s a jerk.

GTVP Question – We saw the helmet of Doctor Fate in the pilot screening. How far is Constantine going to delve in to the mythology that has been established within the comics?

Should we continue on long enough the plan is that we have access to the broader occult DC universe. So even in the first twelve episodes you’ll see two or three characters that show up that aren’t part of Hellblazer proper that are part of the larger DC universe; and the plan is that eventually someone will show up at John’s door to collect that helmet.

Question – You’re dealing with a supernatural version of the universe in a number of projects, so it’s a very different approach than taking a more straight forward superhero based in science fiction or the real world. How is it to envision things in that way?

It’s a really refreshing change of pace, its nice to be doing something that’s scary, it’s nice to be doing something that’s a bit more funny. I’m a huge fan of John’s roots he was created in the 80’s with a real punk sensibility and we’ve actually licensed a lot of punk songs in the show. I’m proud to say, I don’t know if this is a first or not, but we licensed a Sex Pistols song for episode three. So that is pretty fun having John Constantine listening to the Sex Pistols. I think he listens to Buzzcocks. [Interviewer] Gang of Four? Not yet but hopefully we’ll get there, maybe we’ll get some Cramps and Dead Kennedys.

Question – When there is such a rich pool of characters that you can pull from, how do you decide which ones you are going to bring in to the story and at when is a good time?

It’s story based. So we don’t say “OK we’re going to do a story about Doctor Occult” and I’m not saying we have done a story about Doctor Occult per se. We talk about where it would be good for the story to go or come up with an idea for a story; and then we think if there is an appropriate character in the DC universe that fits with that story and makes sort of sense in an organic way to bring that character in. That’s how Jim Corrigan entered in to the show as a a reoccurring character because we had a need for a homicide detective; and so we thought “You know let’s bring in Corrigan”.

Question – Hellblazer is such a long running series, there are so many storylines that you can choose, there are so many different runs. Do you have a favourite, a particular story line form Hellblazer?

You know I have a lot of favourite story lines and I will say even though the first season loosely tracks American Gothic we’ve already adapted within the first twelve episodes a couple of other singular issues. We’re trying to do a version of one of the Delano issues early on right now. We did a really cool version of the Hunger Demon issue that’s actually one of our better episodes, I think, so far.

Question – How soon do we learn more about Chaz?

Episodes nine or ten, we’ll turn over some cards relating to him.

Question – Do you have a hell of a comic book art collection? Who is you favourite artist?

I’ve got some choice pages. I mean old school [Jack] Kirby and contemporary I really like Steve Rude a lot.

Arrow Season 3 Episode 1: “The Calm” Review

Arrow Season 3 Episode 1: “The Calm” Review. “At what price victory?

[Beware the full episode SPOILERS below] Arrow’s exciting return was on Sky 1 HD tonight. Here is our review.

Season three of Arrow returned with great anticipation following on from the climatic events from last season between the Arrow/Oliver Queen (Stephen Amell) and Slade/Deathstroke (Manu Bennett) and the lies that pushed Oliver’s sister Thea (Willa Holland) towards her father, Malcolm Merlyn (John Barrowman). The season three opener “The Calm” suggests that the dust has settled from the events and revelations of season two as Starling city along with its citizens enjoy crime levels that are at an all-time low thanks to Arrow and his team. However, all is not what it seems as the drug vertigo emerges back on the streets of Starling to haunt the Arrow and the mantle of the drug Lord, Count Vertigo, is taken up by a new protagonist or so we are led to believe. Behind these developments an older deadlier menace is set to assert himself on the city of Starling and catch the Arrow off-guard. The opener to Arrow season three twists and turns with some shocking events that lead to further tragedy for Oliver Queen.

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With the personal threat of Slade towards Oliver and his family over, we see a willingness of Oliver and his team to relax. John Diggle (David Ramsey) has his paternal duties to consider to his new baby as his partner Lyla Michaels (Audrey Marie Anderson), known as Harbinger, gives birth to a baby girl. It’s great to see Ramsey, a fan favourite from the series, truly take on the mantle of “Daddy Diggle”! Laurel Lance (Katie Cassidy) is also in a much better place. She has kicked her addiction and is building bridges with her sister Sara Lance (Caity Lotz), the Black Canary, and her father Quentin Lance (Paul Blackthorn) who has been newly promoted to Captain at Starling City Police Department. His first act in office is to cease the warrant for the arrest of the vigilante known as Arrow.

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As calm quite literally descends even over Oliver, he begins to achieve a balance between being both the Arrow and Oliver Queen. He seeks to put an end to the romantic tension that has built up between him and Felicity (Emily Brett Ricards). It is a really nice touch to the first episode to see him and Felicity break the ice as Oliver asks her out on a date (Olicity anyone?). However,  Felicity may also have another admirer, Ray Palmer (Brandon Routh), as they very much seem to be on the same wavelength as one another in a tech-savvy kind of way. Brandon Routh plays Palmer really well and it’s a great performance in his first outing of season three. He gels with the character’s relaxed demeanor and charm. There is a sense of fun about the character with an easy sophistication that is great. It makes me excited to see more of his character over the season as he develops to become a well known DC character and especially as he is revealed to be in competition with Oliver for control of the bankrupt Queen Consolidated.

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The grab for Queen Consolidated by Palmer, the concern of Roy Harper (Colton Hayes) for Thea his missing former girlfriend, as well as the health of Captain Quentin Lance are hints that all is not as settled as we were led to believe. Indeed, in flashbacks to Hong Kong, we see Oliver Queen under continued coercion after escaping the Island; as he is forced by Amanda Waller (Cynthia Addai-Robinson) under the threat of killing the family of his handler, Maseo Yamashiro (Karl Yune), to proceed with training for an as yet unknown objective. These new flashbacks are a welcome and timely change to the flashbacks to the Island called Lian Yu. Whilst I look forward to the further pieces of the puzzle these flashbacks will reveal about Oliver and his past I do wonder (and worry) about the merits of over using this technique as the series moves forward.

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Roy Harper steps up to fully take on the mantle of The Arsenal in his full costume that is nicely red (I still prefer the idea and name Red Arrow for this show) and awesome, especially as in a great little moment the Arrow calls him “partner”. This entrance is not a moment too soon as the veneer of safety and calmness is brutally removed from Starling City and for Arrow and his team with the arrival of Werner Zytle (Peter Stormare), who has claimed the mantle of Count Vertigo. Zytle attempts to kill Arrow, in a bid to cement his control over the streets of Starling, but fails thanks to the help of The Arsenal and Black Canary (aka Sara Lance) who is back in town. But collateral damage in these attempts by Zytle comes in the form of Felicity as she is seriously injured, re-igniting doubts in Oliver’s mind about his ability to mix the personal with the professional (vigilantism). These encounters though lead to some great stunts and action sequences in this opening episode. There is a particularly good Oliver versus Oliver sequence as Zytle, through a cocktail of the vertigo drug, shows Oliver to see who he fears the most – himself!

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But a potentially greater menace lurks in the shadows of Starling City, one that has serious consequences for a strong and close ally of Arrow. The closing sequences of episode one certainly begins to explore the tragic consequences at the end of season two and the theme for season three “At what price victory?”, as Sara Lance is shot in the chest with three arrows by an unseen figure. She falls from a rooftop to her death in front of a shocked and traumatised Laurel (and audience). Who is this mysterious figure? Could it be the return of Malcolm Merlyn, the Dark Archer, to Starling? Or is it a more ancient foe in the shape of Ra’s al Ghul? Indeed is Sara Lance really dead? These are some  great questions that have been set up at the start of Arrow season three and I can’t wait to see them play out.

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Overall, this is an excellent episode of Arrow and a solid start for season three. The episode began to shape the start of a new piece to Oliver’s back story in Hong Kong. Despite the episodes title – The Calm – the victory (or perceived victory) from last season has been flipped as new criminal forces are on the horizon. These new foes bring a real sense of danger to Arrow and his team which is a nice change. The writers also introduce us to the start of a great new line up from the evolving Roy Harper as Arsenal  to the new man in town Ray Palmer played by the excellent Brandon Routh. We also get, hot on the heels of the series premiere, a cameo appearance of Barry Allen (Grant Gustin) as he seeks advice about what to do with his new found powers. This cameo also helps set up the links between the worlds of The Flash and Arrow that inhabit the same universe. We’ll see more of this in a two-hour cross-over in episode eight of both shows and also in episode four of The Flash as Felicity makes her way to help Barry Allen in Central City. As always where would this new season of Arrow be without Stephen Amell, he really does provide the core to this show as Arrow. We can’t wait to see how he will protect Starling City, deal with his missing sister and of course, what really happened in Hong Kong.

Arrow, starring Stephen Amell, Katie Cassidy, David Ramsey, Colton Hayes and Brandon Routh, returns next week with the episode “Sara” this coming Thursday 6th November on Sky 1 HD at 8.00pm.

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Also published on The Effect.net

Year One E03 – The Balloonman Review” – Gotham TV Podcast Episode 20

Gotham “The Balloonman Review” – Year One E03

Show Notes

In this podcast we discuss, in full detail, episode 3 of Gotham entitled “The Balloonman”. We talk about the comedic elements versus the darker and more serious aspects of this episode, whether a weather balloon could lift a man or woman to their untimely death, the increasing pressure on Jim Gordon from the MCU and Barbara over his integrity, the return of Oswald Cobblepot to his home, Gotham, and we welcome Sal Maroni to the fight for this great city. Of course, we also include all the Gotham and DC related news and include your feedback and comments so far.

News

  • Morena Baccarin who many will remember as Inara from Joss Whedon’s Firefly and Serenity, Anna from the updated version of V and most recently in her Emmy-award winning role as Nicholas Brodies wife Jessica on Homeland has joined Gotham. She’s one of our favourite actresses here at Gotham TV Podcast and we’re really interested to see what she can do with the character of Dr. Leslie Thompkins on the show.
  • Flash premieres in the UK and Ireland on Tuesday 28th October and Arrow returns with season three of the show on Thursday 30th October on Sky One HD.
  • Constantine will continue in the USA this Friday 31st October on NBC, whilst in the UK Constantine will be exclusively available on Amazon Prime instant video the day after its air date in the USA. Amazon Prime is unavailable outside the UK so we’ll keep you up to date with any news about who will broadcast Constantine in Ireland.

If you want to send us your thoughts or suggestions you can send them to our new address [email protected]

Thanks so much to all of our listeners for their feedback it’s great to have the support so far and we hope you keep sending us your feedback. As always thanks so much for listening and we’ll be back next week with our discussion of episode 04 of Gotham – “Arkham”.

Derek and John

Gotham TV Podcast

Date recorded: 28/10/2014
Date published: 29/10/2014
MP3, 1h 25m, 128kbps, 78.1 MB

NYCC Interviews Constantine – with Matt Ryan – Gotham TV Podcast Exclusive

Exclusive:  While at New York Comic Con this year Gotham TV Podcast were lucky enough to see the pilot of the other big DC show Constantine. The show premiered in the US on NBC on Friday the 24th of October and we sat down at a roundtable at New York Comic Con 2014 to discuss Constantine with Matt Ryan (John Constantine), Angélica Celaya (Zed) and show creator and executive producer David S. Goyer. The roundtable includes questions from other journalists present and our own questions to the cast and creator.

Our first interview was with John Constantine himself Matt Ryan who chatted with us about the challenges of fan expectations, playing the part of a Scouser (John Constantine is from Liverpool) and what’s been his scariest moment. You can listen to the podcast with all of the interviews we did at New York Comic Con 2014 with the cast of Gotham and Constantine or read on for the interview

Question – Playing John Constantine is a big job but as a character what drew you to this part?

Matt Ryan – The fact that he’s tormented, he’s guilt ridden he’s got all this dark shit going on and he’s someone that would flip the bird to the devil and do it with a smile and a wink. To play those two things is awesome. It’s so three dimensional and multifaceted. I still feel like I’m peeling back the layers of him and getting under his skin. We’re recording episode 9 and 10 and it’s getting deeper and deeper as we go and what’s great about a part like this is that you can keep going lower and lower there’s not going to be any end to it.

GTVP Question – How do you prepare to be a “petty dabbler of the dark arts” and more importantly as a Welshman how do you prepare to play a Scouser (A person from Liverpool where John Constantine is from in the comics)?

Matt Ryan – Interesting question, first of all reading the comics going to the source material, gleaning as much of that as possible and then reading a bunch of the Grimoriums you know magic books, watching a bunch of movies like the Exorcist and trying not to freak myself out too much. In terms of John being from Liverpool and being a Scouser, early on I wanted to get in touch with the DNA of the character and go for the essence of him rather than playing a voice and an accent. I talked to one of my best friends who’s from Liverpool about the accent but I wanted to get the essence of him and to do an accent that was accessible but wasn’t me. It wasn’t completely me and Welsh but also wasn’t a hard Scouse but was a Northern [English] accent. Something that’s going to be accessible and has that working class quality to it. That came about from me wanting to find out who the character was and I wanted to go for that rather than playing an accent.

Question – What is your characters relationship with Zed (Angelica Celaya’s character)?

Matt Ryan – It’s feisty. It’s really cool she’s someone that doesn’t take any of his shit and really gets in his face. They get on each others nerves they have this interesting sexual chemistry between them. They need each other and want to push each other away it’s a really interesting dynamic I think that they start to grow together as well. Where we’re at now they’re at a really interesting place it’s a really interesting chemistry they’ve got and it’s really fun to play.

Question – What was the scariest moment in your own life?

Matt Ryan – Probably doing this. Reading comics before I go to bed and then being in my apartment on my own, in a strange place alone hearing knocks in this strange apartment building in the middle of the night after a day shoot and shitting myself. That’s probably while I’ve done this cause you’re thinking about it all the time. I’m trying to keep reading the comics even though we’re working twelve to fifteen hours a day so I can keep that line to the source material and into the DNA so that it’s always there in the background. You do that before you go to sleep and you think of demons and stuff.

Question – When you do comic adaptations fans will judge you on every little thing you do. Does that ever come into your mind when you’re doing the role because this is such an iconic character?

Matt Ryan – Yeah, well it’s a lot of pressure isn’t it? It’s the fans that are the reason I’m here the reason the comics are loved so much and you want to do it justice. But I think at the same time, to make it your own, I think you have to be ballsy enough to go “Well OK this is what I’m doing” and hope that they like it and hope that my interpretation of it and the fact that I really like the comics and I’m trying to keep a line to that all the time and I’m hoping that will come across. But you can’t really think about it too much because it can get in the way. You want people to love something that they’ve spent a lot of time in their life reading because it’s something that they love.

 

No UK or Irish broadcaster has been announced for the show just yet but we’ll bring you news as soon as we hear it.

Gotham Podcast Selina Kyle Episode 2 Review– Gotham TV Podcast Episode 19

Year One - Selina Kyle ReviewListen to our Gotham Podcast Selina Kyle review of Episode 2 of Gotham.

Show Notes

In this episode we discuss Gotham Season One Episode 2 – Selina Kyle in full spoilerific detail. We talk about the possibilities of Professor Pyg, the polite scariness of Doug and Patty and what may be down that shaft in the basement of Quillen Pharma and, of course, we include your feedback on episode one and two.

News

Great ratings on Channel 5 it won the time-slot for episode one beating out it’s closest rivals of Channel 4 and BBC2.

Full season of 22 episodes confirmed.

Characters coming up on the show include murderer Victor Zsasz, Harvey Dent who we talked about last week and Tommy Elliot. A childhood friend of Bruce with a dark future in Gotham.

At New York Comic Con (NYCC 2014) we got the chance to interview the members of the cast and creators who where in attendance. Gotham TV Podcast Exclusive roundtable interviews with Sean Pertwee, Erin Richards, Ben McKenzie, Robin Lord Taylor Danny Cannon and Donal Logue from New York Comic Con can be read over on our interview page.

The Gotham panel at the Paley FEST in New York took place on 19th October at the Paley Center.

DC Connected News

Constantine premieres in the US on the 24th of October. We’ve seen the pilot of the show twice at NYCC and it’s excellent. Interviews with the cast Matt Ryan and Angélica Selaya and creator David S. Goyer. Reaction from the audience was huge with loads of requests for characters to be added to the show. They’ve already filmed 10 episodes. A UK and Irish broadcaster is yet to be announced so this might mean that we won’t see the show until 2015 but it has a lot of promise.

DC Movie Slate was announced by Warner Brothers up until 2020. One of the big elements to this news was also that the DC movie and TV universes would have no connection.

⦁        “Batman v Superman: Dawn of Justice,” directed by Zack Snyder (2016)
⦁        “Suicide Squad,” directed by David Ayer (2016)
⦁        “Wonder Woman,” starring Gal Gadot (2017)
⦁        “Justice League Part One,” directed by Zack Snyder, with Ben Affleck, Henry Cavill and Amy Adams reprising their roles (2017)
⦁        “The Flash,” starring Ezra Miller (2018)
⦁        “Aquaman,” starring Jason Momoa (2018)
⦁        “Shazam” (2019)
⦁        “Justice League Part Two,” directed by Zack Snyder (2019)
⦁        “Cyborg,” starring Ray Fisher (2020)
⦁        “Green Lantern” (2020)

The music at the end of episode two is Roads by Portishead featured on their album Dummy and in the episode Selina Kyle.

If you want to send us your thoughts or suggestions you can send them to our new address [email protected]

Thanks so much to all of our listeners for their feedback it’s great to have the support so far and we hope you keep sending us your feedback. As always thanks so much for listening.

Derek and John

Gotham TV Podcast

Date recorded: 21/10/2014
Date published: 22/10/2014
MP3, 2h, 128kbps, 109.9 MB

NYCC Interviews Part 6 with Ben McKenzie Gotham’s Jim Gordon – Gotham TV Podcast Exclusive

Exclusive: In our final roundtable interview at New York Comic Con 2014 we spoke with actor Ben McKenzie who discusses his “Dream job” of playing Jim Gordon, the similarities between Alfred and Jim, his push-pull relationship with Harvey Bullock and guiding “The darkness” within Bruce. Here’s the podcast with all the interviews from New York Comic Con 2014 or you can read on for the transcript. Sorry for the poor audio quality at the end of the interview with Ben McKenzie.

Question – What’s it like coming in and dealing with the fans at New York Comic Con?

Ben McKenzie – It’s great. I’m really excited about this panel because when we were in San Diego the show wasn’t on yet. It’s an odd thing to interact with fans who haven’t seen it yet cause they’re excited and also going “This isn’t going to suck right?” (laughs) and you say “No no I really think it’s going to be good”. So this will be a real opportunity to see people who have actually seen the show and what they think of it and get their questions.

Question -What’s it like playing an iconic character and making it completely your own?

B.McK. – It’s a thrill. It’s an absolute thrill. It’s kind of a dream job in that respect. It was very intimidating initially because the character has been portrayed before and portrayed by some brilliant actors but what’s freeing about it is what you pointed out we’re showing how he came to become, how he came to be, how he grew into the role of commissioner and that’s never been seen on film before. So there was a chance to take advantage of the mythology and the deep love for these character but also breathe fresh air into that.

Question – They’ve set Jim up as a mentor for Bruce which is very different to the comics. What’s that like since you’re basically helping to create Batman

B.McK. – Yeah. But I think Jim starts off trying not to create Batman. He is a law enforcement officer and you see in the third episode with “Balloon man” who is the first vigilante that Gotham had seen actually targeting people are morally corrupt and going outside the law to do so. Jim, rightly, is deeply concerned about this trend in Gotham. If people choose not to follow the law there is no law. If people choose to go outside the law, even for the right moral reasons the whole society falls apart. So when he starts counseling Bruce he’s trying to educate him on how not to fall into that trap. Because he sees a darkness in Bruce, he sees an incredible intelligence an incredible integrity in this young boy but he also sees a darkness and an anger that he’s trying to direct in the right way.

Question – so you have this area to negotiate between the murder and the full blown Batman. What do you do to envision this character. Is there a guiding source for that?

B.McK. – It’s actually quite straightforward in a way. He’s a war hero. He came straight off the front lines pretty much back to Gotham where he saw heavy action. So he approaches it with a military man’s perspective. Morally rigid, can-do, stoic, fight forward, fight forward, fight forward, don’t look back. Unfortunately he realises that the terrain is more complicated than even the war in which he was fighting. So he has to learn how to live in Gotham and get things done. Cutting deals educating himself perhaps making decisions that morally are dubious in order to get the kind of positive change that he wants.

Question – This is the back story that’s in your head? they haven’t said do that?

B.McK. – Well we talked about it and it’s set up in the pilot. Harvey Bullock leaves Essen’s office after basically trying to get rid of the kid and says “Oh your a war hero and your daddy was a big D.A. and I can’t get rid of you”. We don’t dwell on it. Hopefully we won’t do flashbacks just because they’re clunky. But that’s the approach, he was raised that way from the beginning because his father was a revered D.A. and a noble man. Perhaps not quite as noble as Jim thinks he was. So he’s always prided himself on this morally rigid stance and yet he’ll learn that perhaps he’ll have to be a little more flexible in Gotham.

Question – Are there any more parallels between Gordon and Alfred. They’re both military men Alfred was in the Marines, Gordon was in the Army. Do you see any other parallels between them?

B.McK. -There are. The parallels are their approach to life, perhaps being a bit stoic about it. At the same time Alfred has receded from the battle lines he’s not working on the ground level in law enforcement and his charge is to take care of Bruce. But his school of parenting is a bit…unusual let’s say and Jim’s is actually oddly a bit softer. He’s probably actually trying to talk to the boy and get him to understand things on a deeper emotional level. Whereas Alfred is probably coming from an older set where children are supposed to be managed and taught things, seen and not heard. Drilled a bit sort of like you would drill soldiers as he fences around Wayne Manor with him. So it’s a fun relationship and they are essentially battling over Bruce’s soul.

Gotham TV Podcast Question – Your partner Harvey Bullock has gone path of least resistance. Now you’re that block in the way how does that develop over the season. That tense relationship where you’re trying to drag him out of the mire but he’s trying to drag you in?

B.McK. – Yeah we end up sinking both back into it in a way. Pull out and fall back in and of course I’m hiding the secret from Harvey that I’ve not actually killed Oswald and that will come back and create yet another layer of tension between the partnership. It’s a complicated relationship that will only become more so. But they do at the end of the day teach each other things. Begrudgingly they learn from each other.

Question – Can they trust each other?

B.McK. – Eventually? Probably. (Laughs) but not now.

Click here for previous interviews –   Robin Lord-Taylor    Danny Cannon     Erin Richards   Sean Pertwee    Donal Logue

Ben McKenzie

NYCC Interviews Part 5 with Donal Logue Gotham’s Harvey Bullock – Gotham TV Podcast Exclusive

Exclusive: Here’s our interview with actor Donal Logue, Harvey Bullock on Gotham, who discusses the similarities and differences between Harvey Bullock and other characters he’s played, the impact of Ben McKenzie’s Jim Gordon on his character, the burden of comedic relief and the future broadening scope of Gotham. You can listen to the podcast below with all of our interviews from New York Comic Con or read on for Donal Logue’s interview

Question – From pretty heavy independent films to a pretty heavy character on TV do you feel it’s a natural evolution?

Donal Logue – When you’re younger and you do college theatre or something, I remember we would do something like a Joe Orton play and then you’d rehearse a Sam Shepard play you’d do next and then you’d do the play that night. That’s just being an actor. Especially in the old school. Look at guys like Burgess Meredith and those kinds of careers. Your job is to go all over the map it’s a little tricky but that’s what the fun is.

Question –  just a follow up. Some people have said the process of TV is different than the process of film that’s why I ask.

D.L. – I’ll give you a good story on that one so when I first auditioned for anything ever it was a mini-series about “Common Ground” which was the Pulitzer prize winning book about the Boston Busing Crisis in the mid-seventies and so Meg Simon who cast the show with Warner Brothers discovered me in Boston, I was a theatre actor at the time. I was reading (the script) and I said I dunno I’ve done a bunch of plays and I hear stories, am I supposed to be smaller I hear the process is different and (Meg Simon) said “Just act the F’ing scene”. If you think that way you’re thinking the wrong way. Every medium is it’s own thing. I did a sit-com which originally wasn’t supposed to be in front of a live studio audience and when that changed I wasn’t sure how I felt about it. John Lithgow said “It’s a two act play in front of an audience, it’s fantastic” and I said OK so it is it’s own animal. By the way John Lithgow to me is the king, when you talk about bouncing between all the mediums. He’s an amazing guy, super super great guy.

Question –  What’s your take on this character? I mean he’s so complicated and so layered and you do a great job.

D.L. – Thanks. I think my take on that is the same as most people the difficulty I have is that he also seems to have carry a little bit of the burden of comedic relief. It’s about finding that balance of when it’s real serious when it’s dark and when it’s kind of goofy. I’ve done comedies in the past and your living fully in the sunshine of that side of the street and then I went to Sons of Anarchy, Vikings and Copper so you’re comfortable in that cause you know it’s dark. With this one it’s a little tricky to bounce back and forth almost arbitrarily so.

Question –  and do you see him as corrupt?

D.L. – I think a lot of people are corrupt. Over the course of your career luckily you get to meet people who work in law enforcement, you get to meet criminals, you get to meet people who work in the military and they say “you know it wasn’t cool but we had to do a deal with this war lord to get through this”. That’s the world. I’m sure a lot of young idealistic people have walked into places like Washington DC into a police department and said “Well I know what the culture is but I’m gonna change it”. It’s not that everybody is corrupt there’s gradations of it. There’s big T truths and small t truths. I think now when you catch him (Harvey) he just wants to get to the finish line. He may want to stash some money on the side, legally or not and wants to add to his pension and then Jim Gordon comes in and (Bullock) has seen fifty of these guys but none of them have been Jim Gordon. They’ve never had the moral fiber of this guy. Jim Gordon is such a strong character that it changes Harvey which reminds him of who he used to be I think.

Question – What’s the appeal of police shows for you such as Life? What’s the appeal for you as an actor or is it just a different role?

D.L. – I would say it’s just a different role, trying to stay as flexible as possible. I have respect for all roles and professions but there’s something so iconic (here). When I did the pilot for Gotham I was doing what I thought was a really thrilling run on Law and Order: S.V.U. which I loved a lot. There’s something so iconic about being able to play a New York Detective. There’s a million amazing stories happening every night, every day there’s stuff going on here (New York) and these guys get to beeline straight to the strangest, darkest part of the human condition and I think there’s something fascinating about it.

Gotham TV Podcast Question – Will we get to see the story behind why Crispus Allen is no longer partnered with Harvey Bullock?

D.L. – We haven’t gotten to it yet. But we get more back story on Montoya and Allen and the M.C.U. and what’s nice too is that the show is starting to breathe more into the worlds of Selina Kyle, Bruce Wayne, Alfred Pennyworth which I like. It was fun to have so much focus on Gordon and Bullock’s partnership. It’s such a big world that I think people will be excited to see it breathe and open up a little bit.

Question – Are you a fan of comic books?

D.L. – I wasn’t a huge fan growing up but since I started working in Blade in 1997 I got into comics. Partially just to understand the world I was representing and i have for the last twenty or so years.

Click here for previous interview – Sean Pertwee

Donal Logue

NYCC Interviews Part 4 with Sean Pertwee Gotham’s Alfred Pennyworth – Gotham TV Podcast Exclusive

Exclusive: Ahead of the UK release of Gotham on Channel 5 Gotham TV Podcast were lucky enough to sit down at a roundtable at New York Comic Con 2014 to discuss Gotham and what we can expect from future episodes in season one with Executive Producer Danny Cannon and five members of the cast (Robin Lord Taylor, Erin Richards, Sean Pertwee, Donal Logue and Ben McKenzie) about their thoughts on the show, their characters and what could be coming in Season one of the show. The roundtable includes questions from other journalists present and our own questions to the cast and creator.

Here’s our interview with British actor Sean Pertwee who discusses his thoughts on the larger role of Alfred in the show, the connection with previous versions of the character and being at New York Comic Con with a show like this. You can listen to all of our interviews from New York Comic Con in our podcast here or read on.

Sean arrived at the interview table and immediately reached out his hand to both of us to greet us. He thanked us for all the support and wanted us to know how much he much he appreciates all of the fan feedback and support since he started the project.

Gotham TV Podcast Question – With the casting of David Mazouz, Bruno Heller has said that he has a bigger role in the show than was previously expected what does that mean for your character Alfred?

Sean PertweeIt means I’ll be around for a lot more as well. I have a son called Alfred as well which is a bit of a bizarre one, but he’s the same age and I have an affinity at this moment with children of that age and its really interesting. David [Mazouz] is one of the most driven, most fabulous actors I’ve ever met and I genuinely mean that and it can be difficult for young people, young actors young men and young women, he is extraordinary. He’s the most focused, driven guy and can really turn it on and he has a real sense of pain and darkness and we’ve found our own heart beat that we will begin to see at around episode three. There are people out there who are a little concerned about Alfred’s parenting skills – I was as well I have to say! [Laughs] But I mean how would he know how to be a father he comes from a military background, he blames himself for the demise of the Waynes, he never signed any contract to say that I’m now the legal guardian…how would he know? What we [David Mazouz and Sean Pertwee] are trying to do, developing, is to find a hook, a way of communicating with a young man who is suffering from post-traumatic stress; and then you start to discover that Alfred also has issues rage issues, guilt issues and everything else. We’ve become a disfunctional family and it really sort of gets out there by episode eight.You see a marked change [in the relationship] and a real marked flag in the sand as to which direction they’re going. It’s really difficult to say anything without giving too much away.

Question -Your Alfred is following on from and kind of pre-figuring Michael Caine in the films but obviously in the old days Alfred was a bit more posh. Are you interested in the Marine direction more Cockney side of Alfred that Gotham is presenting?

S.P. – Yes, certainly. He’s from the East End. He’s a Military guy. I wrote a bible [on the character] and presented it to Bruno on the first day. I tried to stay away as much as I can [from the previous character interpretations]. I have so much respect for my preceeding Alfred’s I mean they are absolute genius in their own way but you have to find your own sync, find your own rhythm, your own beat. So I presented it to him [Bruno Heller] that my father would have been the butler for the Waynes, he was ill, I went there to see him and I left the services to aid him on his death bed. He passed away and I took on the mantle of the valet, the role of the bat man, to the Waynes [Laughs]. So, you’ll see the development of their relationship over the next ten episodes. What I loved about Sir Michael Caine’s interpretation was that he represents the common man and I think that is why I am here.

Question – What is it like to bring the show to Comic Con and really present Gotham to the fans and interact with them?

S.P. – I think it will will be very interesting and I’m very excited by it, We’ve kind of been quite cosseted in our lifestyles because we’ve been working really hard so it’s really nice Ben’s done one and I haven’t done one before so it’s going to be lovely to see their reaction.

Question – And so are you going to put your parenting skills to good work?

S.P. – Yes of course [Laughs] I’ve been asked do I treat my son like that and no I don’t [Laughs].

Click here for previous interview – Erin Richards

Sean Pertwee

Erin Richards Gotham Interview NYCC Interviews Part 3 Barbara Kean – Gotham TV Podcast Exclusive

Exclusive:  Here’s our Erin Richards Gotham interview where she discusses her thoughts on the character of Barbara, her relationship with Ben McKenzie’s Jim Gordon, how she deals with attention from fans and the strong characters on the show.

Ahead of the UK release of Gotham on Channel 5 Gotham TV Podcast were lucky enough to sit down at a roundtable at New York Comic Con 2014 to discuss Gotham and what we can expect from future episodes in season one with Executive Producer Danny Cannon and five members of the cast (Robin Lord Taylor, Erin Richards, Sean Pertwee, Donal Logue and Ben McKenzie) about their thoughts on the show, their characters and what could be coming in Season one of the show. The roundtable includes questions from other journalists present and our own questions to the cast and creator. You can listen to the full podcast below with all the interviews or read on for the full transcript.

Question – How did you get the job of Barbara Kean in Gotham and how did you prepare for the part of Barbara Kean in the legendary city, did any tell you what you must do?

Erin RichardsFirstly nobody told me to do anything! I got the job during pilot season through a round of auditions with our fabulous creators Bruno and Danny, who are Brits which is nice [laughs]. I got the job and was over the moon. I have always loved Batman and working with these guys is always fantastic. On such an incredible and highly anticipated series at the time, I then sort of went about going back over the movies which I have always enjoyed and watching all of those again and then read Batman Year One [by Frank Miller and David Mazzucchelli] which is the comic that Barbara appears in. But for me Barbara is a bit of an open book because she is not in the comic books that often and also she’s in her finished form, so for me it was about just about finding something that was interesting and relevant and would work with what Ben has created in Jim Gordon so that we could really forge an interesting story and a dynamic that people would really want to watch.

Question – What about the chemistry between yourself and Ben McKenzie, it’s a key pivotal relationship in the show so I guess you are bouncing off one another?

E.R. – We get on great as people, we went to watch him do a radio play the previous night. The whole cast are really supportive of one another and we hang out a lot. I get on really well with Ben. We approach acting in the same way and have really similar backgrounds. We both did Politics degrees and the first time we met we had a lot to talk about, which is really nice to get on with each other because we do a lot of pretending together as actors. Though its not too hard with Ben he’s a good looking guy.

Question – There’s so much attention on this show, what’s it like interacting with the fans when there is so much anticipation, do you tune it out?

E.R. – I don’t think we need to tune it out. I really enjoy on twitter interacting with the fans and I like getting questions about my character. We feel a great sense of pride, affection and responsibility – isn’t that like a Batman thing, no its Spider-man [Laughs]. We feel a lot of responsibility to the fans as they are really in to Batman and we really want to deliver a programme that they are interested in and are proud of, as we’re up against the big boys, the films and what’s in everyone’s mind, so were hoping to deliver a beginning, as we are telling the origin story, and that it fits with what they have grown to love.

Gotham TV Podcast Question – One of the big things about Gotham is the strength of the female characters in the show. Can you tell us something about Barbara’s strength and where she gets it from and where she brings it to?

E.R. – Bruno Heller, our fantastic creator, writes amazing female characters. I’ve always watched his programmes and they always have these fantastic female characters, which is so brilliant to play and is so important. I feel that TV is leading the way at the moment with this and Barbara for me, personally, I feel that she is such an interesting character. She’s really strong, very intelligent and really motivated and though she comes from money, I think that doesn’t matter because sometimes it can be hard if you come from money to really find a path in life when you are given things on a plate. So she really has to forge her own way and she has this really interesting history behind her. The really interesting thing about Barbara as well is that though she is incredibly strong, she has these amazing weaknesses and character flaws that don’t take away from her strengths its just another part of her. This is the fantastic thing about Bruno’s writing is that a lot of women on TV are boxed in to she’s the hero, she’s the poor broken hearted one and I think that Bruno, and other amazing writers at the moment for TV, are creating women who are just multifaceted, you know they can be strong but at the same time they can be lonely and hurt and that is just everyone – women and men – its just people and finally we get to play those.

Click to go to previous interview – Danny Cannon